The ingredient offering is similar too, e.l.f. Read more: E.l.f vs Elemis pro-collagen, which cleansing balm is best? Mix it into your tinted moisturiser for a “no-make-up” day instead. It has more cut-through when worn under foundation as a result, but it’s a far less natural look on its own, so we wouldn’t wear it alone. There aren’t any visible glitter particles, but its glow is definitely more spangly than Charlotte Tilburys’. It has a little tackiness on the skin, but still works to blur out any oiliness and forms a nice smooth base for make-up. The formula feels very close too: halo glow is ever so slightly creamier with better slip, but the difference is barely noticeable. At a push, we’d say this looks less attractive on your dressing table – and it has the same issues as the flawless filter does in terms of getting every last drop out. The cap is light pink, the bottle slightly slimmer and taller and the doe foot about twice the size, but these differences are negligible. The packaging for this is incredibly similar to flawless filter, with the same cylindrical glass bottle and doe-foot applicator. It comes in an impressive 12 shades, so there should be one to suit most – the problem will be getting your hands on your shade while it’s in stock. Most importantly, it’s neither drying nor greasy, meaning it will suit all skin types and not worsen the appearance of any skin issues. In terms of skincare ingredients, this is more about faking a healthy glow than creating it for real, but it does contain moisturising glycerine and squalene, plus hoya lacunosa flower, which is supposed to increase radiance. Read more: How does Charlotte Tilbury’s £36 Hollywood flawless filter compare to Collection’s £6.99 dupe? It’s not pigmented enough for us to describe it as having coverage, but its blurring, light-reflecting properties make skin tone look more even. It contains polymers and very fine powder that smooths over textural imperfections such as scarring and fine lines. It dries down quickly leaving no tackiness and creating a satin-y base for make-up, or, if worn alone, mattifies greasiness and adds an all-round, even glow. The formula is thin but not runny, and it blends smoothly and lightly across skin. The downside is that the combination of glass bottle and applicator means it’s impossible to get the last bit of product out of the bottle. It has a doe foot applicator, which is the only thing that stops us applying ten times too much, and so probably saves us a lot of money. We put the two head to head in testing to see if this bargain is too good to be true.įlawless filter has the make-up-artist brand’s trademark dressing-table glamour, with its glass bottle and rose gold, ridged cap. Halo glow not only claims to do exactly the same as the Charlotte Tilbury, in remarkably similar packaging, but costs £14. So when American beauty brand E.l.f., known for its quality but affordable products, launched its halo glow liquid filter and the beauty press hailed it as “the perfect dupe for flawless filter”, we knew we had to try it. If you’re using it as a primer below foundation, particularly if you have oily skin, you might benefit from using a mattifying primer beneath it it doesn’t do much to help make-up stay put.įlawless filter gives skin that lit-from-within radiance without a hint of sparkle, and is so popular the brand struggles to keep it in stock. Nothing makes us feel more confident going foundation-free.ĭepending on the look you’re going for, it can be used as a primer, mixed in with your foundation, dabbed on the high points of the face as a highlighter or worn alone for those minimal make-up days. A multipurpose glow-giver, it creates the illusion of coverage by blurring out textural imperfections and bouncing light off the skin, giving a more even-looking complexion – sort of like a soft-focus filter in real life, hence the name. Charlotte Tilbury’s flawless filter is one of the celebrity make-up artist’s hero products, with one bottle selling every two minutes.
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